Introducing Constance - an essay on Ann-Marie MacDonald's Goodnight Desdemona (Goodmorning Juliet)

Introducing Constance In Ann-Marie MacDonald's Goodnight Desdemona (Good Morning Juliet), the audience is swept into the playful subconscious of the protagonist, Constance Ledbelly. Before she speaks, her imaginative nature is introduced by way of Act I, The Prologue. The chorus enters giving an intriguing monologue in which the first stages of an exciting transformation begin to unfold. The Prologue is so useful in that it gives indications of plot, theme, conflict and so on. All …

…Constance Ledbelly, and offers her a double-edged re-birthday." (6) Another tease that Constance's two sides that will soon come together, and be revealed to her. Act I, The Prologue is full of dramatic significance. However it seems to be directly related to the characterization of Constance Ledbelly. By toying with the use of metaphors and clever wit, Ann-Marie MacDonald fully succeeds in her use of The Prologue to set up the main character of her play.